A.L.H.M. van Wieringen, «The "I"-Figure's Relations in the Poem in Isa 38,10-20», Vol. 96 (2015) 481-497
This article offers a close reading of the Writing of Hezekiah (Isa 38,10-20) and describes the development of both the relation between the "I"-figure and the Lord and that between the "I"-figure and the community. An "ellipsis" between vv. 14 and 15 plays a prominent role. Furthermore, the article demonstrates that the developments in the "I"-figure's relations in the poem fit well within the poem's context (chapters 36–39). The ellipsis in the poem is connected to the open ending of chapter 38, to the happy conclusion of chapters 36–37, and to the open ending of chapter 39.
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               is mentioned twice: as singing (v. 20b) and in the description of the
               continuing life of the “we”-figure (v. 20c).
                   In sum, in five steps the relation between the “I”-figure and the
               community is also built up, with the new role of the “we”-figure as
               its climax. The ellipsis between vv. 14 and 15 also appears to be a
               turning point in the relation between the “I”-figure and the com-
               munity: in view of the “I”-figure’s new relation with God, his rela-
               tion to the community changes as well.
                          III. Textual context 1: the poem and chapter 38
                   After having gained insight into the developments in the “I”-
               figure’s relations in the poem found in Isa 38,10-20, I would now
               like to study these developments within the poem’s narrative con-
               text. Verses 10-20 are first of all part of chapter 38 and, subse-
               quently, part of the narrative section of Isaiah 36–39.
                   In the narrative section of Isaiah 38, two signs occur: one pre-
               cedes the poem, and the other follows upon the poem. In vv. 7-8,
               Isaiah gives Hezekiah a sign as an affirmation from the Lord that
               Hezekiah will not die; in v. 21, Hezekiah asks Isaiah what sign will
               indicate that he will go up to the house of the Lord.
                   In view of v. 9, the heading of the poem which mentions the
               proper name whyqzx, the “I”-figure in the poem has to be identified
               with Hezekiah. There is, therefore, a relation between the poem and
               Hezekiah’s direct speeches before and after the poem.
                   The relation between Hezekiah’s prayer in v. 3 before the poem
               and the poem itself is characterised by contrasts. From the begin-
               ning of the prayer, Hezekiah addresses the Lord directly, as the
               vocative hwhy in v. 3 demonstrates 20. In the poem, however, there
               is a step-by-step process before the Lord is addressed by the “I”-
               figure. The actual address is first signalled only at v. 16a and not
               with the vocative hwhy, but with ynda. At the end of the poem, the
                   20
                     The combination of praying and tears (Isa 38,5) strengthens the prayer
               and the relation between the one who is praying and the one to whom he is
               praying; see W. URBANZ, “Emotionen mit Gott – Aspekte aus den Gebetsaus-
               sagen im Sirachbuch”, Emotions from Ben Sira to Paul (eds. R. EGGER-WENZEL
               – J. CORLEY) (Deuterocanonical and Cognate Literature; Berlin 2012) 133-
               158, here 136.