Joachim J. Krause, «Aesthetics of Production and Aesthetics of Reception in Analyzing Intertextuality: Illustrated with Joshua 2», Vol. 96 (2015) 416-427
That intertextuality has come into vogue in Hebrew Bible scholarship is hardly surprising given some general trends in the field. In fact, the reconstruction of redactional activity and 'Fortschreibung' as well as inner-biblical interpretation are heavily dependent on the perception of intertextual relationships. But therein lies the problem. Has the perceived relationship indeed been established by the author of one of the biblical texts in question (aesthetics of production), or does it merely lie in the eye of the beholder (aesthetics of reception)? Two competing claims regarding an intertextual relationship of Joshua 2 are singled out for discussion.
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ANIMADVERSIONES
Aesthetics of Production and Aesthetics of Reception in Analyzing
Intertextuality: Illustrated with Joshua 2*
Intertextuality has become a veritable vogue word in Hebrew Bible
scholarship. The notion that texts refer to each other and that neglect of
such references leads to an imperfect understanding of a given text is in-
creasingly taken into account, and rightly so. Indeed, the potential of this
perspective for our purpose is immense, especially in light of the major
impact of phenomena like redactional rearrangement, inner-biblical in-
terpretation, and ‘Fortschreibung’. At the same time, applying the per-
spective of intertextuality as developed in the study of modern literatures
to Hebrew Bible studies necessitates a thorough methodological reflection 1.
For this purpose, two competing claims regarding an intertextual relation-
ship of Joshua 2 are singled out for discussion in this paper.
I. Intertextuality and the Study of the Hebrew Bible
For quite a few, the very term raises red flags. When hearing ‘inter-
textuality’, they think of post-structuralist or deconstructionist concepts 2.
These concepts feature, roughly speaking, the following three theoretical
presuppositions: first, everything is a text, or at least every cultural system
is; second, it is the reader, not the author, who determines what is in a
text; third, as it is the reception of a text that matters, the historical cir-
cumstances of its production become meaningless. Because of these pre-
suppositions, the said concepts are of little help when it comes to concrete
textual analysis — and indeed textual analysis is not their goal. Derrida
was a philosopher, not a philologist.
Intertextuality, however, is not synonymous with deconstructionism.
From the seminal impetus of Julia Kristeva, yet another set of concepts
*
Thanks are due to Walter Bührer (Bochum) and Chris Thomson (Cam-
bridge) for their comments on an earlier version of this paper.
1
Most recently, see R.L. MEEK, “Intertextuality, Inner-Biblical Exegesis,
and Inner-Biblical Allusion. The Ethics of a Methodology”, Bib 95 (2014)
280-291. But see below, n. 3, on his argument.
2
For an introduction, see M. PFISTER, “Konzepte der Intertextualität”, In-
tertextualität. Formen, Funktionen, anglistische Fallstudien (eds. U. BROICH
– M. PFISTER) (Tübingen 1985); for a discussion and full bibliography, see
J.J. KRAUSE, Exodus und Eisodus. Komposition und Theologie von Josua 1–5
(VTS 161; Leiden – Boston, MA 2014) 37-45.
BIBLICA 96.3 (2015) 416-427