Gert T.M. Prinsloo, «The Role of Space in the twl(mh yry#$ (Psalms 120–134)», Vol. 86 (2005) 457-477
This study reads the Songs of Ascents (Psalms 120–134) from the perspective of the
concept of "space" and argues that they form as a single, interrelated unit that tells a
meaningful "story". By applying the principles of "critical spatiality" the spatial
orientation of each poem is analysed. The conclusion is reached that the poems can
be grouped together in five triads of three poems each. By mapping "space" and
relating it to the content of the poems in the context of Book V of the Psalter, the
"story" of these poems can be discerned. It is a meaningful story with a sad beginning
but a happy end. The happy end resides especially in the expectation that YHWH
"ascends" with his people towards the eschathological and Messianic future.
The Role of Space in the twl[mh 477
yryv
experience their plight as a new exile and long for the eschatological
intervention of YHWH (84). Their voice is heard in the twl[mh yryv as
they visit Jerusalem and find consolation in the fact that, even though
they are exiles in their own country, they are safe in the protective arms
of YHWH who will never forsake his true people. Concentrating on the
concept of “space†in these songs, the fortitude of the singers can only
be admired. These are indeed songs of “… Hoffnung inmitten eines
harten und verzweifelten Alltags†(85).
*
**
This study does not claim to have discovered “the†structure or
“the†meaning of the twl[mh yryv. However, it has shown that the
concept of “space†plays an important role in every single poem in the
collection. By mapping “space†and relating it to the content of the
poems in the context of Book V of the Psalter, the “story†of these
poems can be discerned. It is a meaningful story with a sad beginning
but a happy end. The happy end resides especially in the expectation
that YHWH “ascends†with his people towards the eschathological and
Messianic future. The study indicates that research into aspects of the
“story†told in the Book of Psalms if it is read as a meaningful unity
might prove fruitful and will contribute towards our understanding of
the intentions and ideologies of its author-redactor (s).
Department of Ancient Languages Gert T.M. PRINSLOO
University of Pretoria
0002 Pretoria
South Africa
SUMMARY
This study reads the Songs of Ascents (Psalms 120–134) from the perspective of the
concept of “space†and argues that they form as a single, interrelated unit that tells a
meaningful “storyâ€. By applying the principles of “critical spatiality†the spatial
orientation of each poem is analysed. The conclusion is reached that the poems can
be grouped together in five triads of three poems each. By mapping “space†and
relating it to the content of the poems in the context of Book V of the Psalter, the
“story†of these poems can be discerned. It is a meaningful story with a sad beginning
but a happy end. The happy end resides especially in the expectation that YHWH
“ascends†with his people towards the eschathological and Messianic future.
(84)WILLI, “Das twl[mh ryvâ€, 157.
(85) ZENGER, Morgenröte, 129.