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Home  >  Biblica  >  Vol 91 (2010)  > 

    Th. Booij, «Psalms 120–136: Songs for a Great Festival.», Vol. 91 (2010) 241-255

    Psalms 120–134, the 'Songs of Ascents', are a functional unity. In early rabbinical tradition concerning the Great Hallel, they seem to be linked with Psalms 135 and 136; in the texts themselves this connection is quite clear. The Songs, as a collection, and the two psalms of praise apparently stem from the later post-exilic period, when they were used during the festival of Sukkoth. The Songs were recited in processions to the sanctuary; the psalms of praise were part of the liturgy proper.

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    • Songs of Ascents
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    «Psalm 149,5: 'they shout with joy on their couches'» 2008 104-108
    «Psalm 141: a Prayer for Discipline and Protection» 2005 97-106
    «Psalm 133: "Behold, how good and how pleasant"» 2002 258-267
    «Psalm 127,2b: a Return to Martin Luther» 2000 262-268
    «Psalm 119,89-91» 1998 539-541
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    Psalms 120–136: Songs for a Great Festival Psalms 120–134 are a functional unity, to which Psalms 135 and 136 are closely connected. This article is intended to analyse the relationship between the texts and to elucidate their nature and background. 1. Psalms 120–134 The title twl[mh ryv of Psalms 120–134 1 gives the impression that in a sense these texts are special in the Book of Psalms. There are several data confirming this. In their phraseology Psalms 120–134 are somewhat un- common 2. Among these texts Psalm 132 appears to be the most traditional one, as five of its terms at least are characteristic psalm words : twnkvm, “dwelling place” (of YHWH: vv. 5, 7); dysj, “ faithful ” (vv. 9, 16); Èrb pi., “bless” (v. 15) ; [vy, “salvation” (v. 16) ; and –nr pi. as “shout for joy” (vv. 9, 16). Psalm 130 has four elements typical of psalm language: arq, “cry”, as connected with [mv, “hear, listen” (vv. 1-2) ; μynwnjt, “supplications” (v. 2) ; Hy (v. 3) ; and ljy pi., “hope” (v. 7). In Psalm 125 there are at least two of them: the verb fwm ni., “be moved” (v. 1) ; and htlw[, “ injustice ”, with the archaic ending htA (v. 3) ; to these might be added the phrases μtwblb μyrvy, “those who are upright in their hearts ” (v. 4), and –wah yl[p, “those causing mischief” (v. 5), although their form is not the usual one. The opening line of the collection, too, has typical psalm phraseology, as it testifies the speaker’s “distress” (htrx), his “crying” (arq), and YHWH’s “ answering ” (hn[). The continuation of Psalm 120, however, is idiomatically different. Of the fourteen texts that will follow, two In Ps 121,1 twl[ml ryv. 1 For the criteria see M. TSEVAT, A Study of the Language of the Biblical 2 Psalms (Philadelphia, PE 1955), esp. 7-9. In the present article, as a departure from Tsevat, late usage is left out of consideration.

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